. . . In this review I mention the Fuji X-E1, but all the images presented here are taken with the Leica M-E . . .
. . . Question: What do a Fuji X-E1 and XF35 1.4 lens, a Leica M6, an electric guitar and effects pedal, an iPad and a Cello all have in common?
Answer: That is what was sold in order to finance what is for me, the ultimate street photography camera – the Leica M-E, or to give it its full model designation, the “Leica M-E, Which Is Actually An M9 But Without The USB Port Or Frameline Preview Lever And In A Different Colour. Apart From That It’s Identical In Every Way To An M9.”
Of course that can be a bit of a mouthful at times, so for the purpose of this article I shall refer to it solely as the Leica M-E.
I also won’t bore you to death with the industry-standard approach when reviewing a Leica ‘M’ camera, that being a ‘mini-tutorial’ of how a rangefinder works in practice, endless comparisons to DSLR’s or Micro Four-Thirds and especially how manual focusing with a rangefinder is better or worse than auto-focus etc.
So without further ado, let’s start at the beginning with a good-old photograph of the ‘beast’ in question – albeit a beast costing a four-figure sum . . . Gulp !!!
Naturally with ‘M’ camera bodies, the price didn’t include a lens, though luckily and considering my manic desire to ‘sell sell sell’, I had the presence of mind to keep hold of the wonderful Voigtlander 50mm f/1.5 lens previously mounted to the M6 and M2 (the latter of which I still have – hey I’m not that mad 🙂 )